← TemplatesVolumeUse template
Skip to content

Start where the music is.

A finished arrangement, an open sketch and a folder of recorded parts need different kinds of attention. Choose a starting point, then shape the scope around your project.

Recording. Production. Mixing.

A microphone and pop filter in a dark live room with an upright piano
01/ A considered approach

Recording

Bring a song, a voice or a performance. Begin with the sound you want, then agree a practical session plan around the people and instruments involved.

Plan a recording
Studio headphones, a patch bay and a blank session notebook under a task lamp
02/ A considered approach

Production

Make space for arrangements, textures and the decisions that turn a sketch into a track. Set a direction before adding more layers.

Discuss production
An analogue mixing desk and amber task lights in an empty recording control room
03/ A considered approach

Mixing

Bring the recorded parts into a coherent whole. Talk through references, delivery formats and a clear route for feedback before the first pass.

Prepare a mix

A useful brief makes room for creativity without leaving practical decisions to chance.

The intention

Describe the feeling, the intended release and the recordings you return to. References are a conversation about direction, not a promise to reproduce someone else's sound.

The people

List performers and collaborators, their roles and the times they can attend. Flag access needs, breaks and any remote contributions.

The output

Agree the versions, file formats and delivery method. Confirm whether editing, tuning, stems or additional mixes are included.

Session questions

Can we bring an unfinished idea?

Yes. Explain which parts are settled and where you want help. A writing or production session needs a different plan from recording a finished arrangement.

What does a session include?

Engineering, room use, preparation, revisions and delivery are agreed in writing for your project. Ask about anything your musicians or collaborators need before confirming.

Can we bring our own equipment?

Share a list in advance so connections, space and setup time can be checked. Do not assume a particular instrument, amplifier or microphone is available without confirmation.